 Psychedelic Underground With "Psychedelic Underground" Eric has developed a unique hybrid blues/rock sound that also draws upon influences as diverse as Albert King and Eric Johnson. A unique amalgam of styles, Eric Gales stands head and shoulders among other guitarists in his genre. "The Psychedeli... |  Story of My Life Eric has developed a unique hybrid blues/rocksound that also draws upon influences as diverse as Albert King and Eric Johnson. A unique amalgam of styles Eric Gales stands head and shoulders among other guitarists in his genre. Eric's third Blues Bureau record The Story Of My Lif... |  That's What I Am Japanese version featuring a bonus track |  The Eric Gales Band
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 Acid Blues Experience This is one of those rare times... when you can almost judge a record by its' cover. From the title "Acid Blues Experience," to the front cover depicting Stoney Curtis caught live in the moment in front of a stack of amps, the listeners know to expect something special. The Stone... |  Sloe Gin In the liner notes of Sloe Gin, emerging guitar great Joe Bonamassa explains that one of his objectives is to experiment with acoustic elements he first encountered while listening to Rod Stewart's earliest work. "I think the heavy blues and acoustic mix well together," he writes... |  SIMPLIFY YOUR VISION "Simplify Your Vision", the mega-awesome third studio disc from young, gifted blues/rock axeslinger Lance Lopez of Dallas, Texas, features 9 killer trax (60 minutes) of outstanding, powerful, intense, bad-ass, funky, bluesy, retro-70's Hendrixy heavy guitar power trio riffage of ... |  Wall Of Soul "Wall Of Soul", the second studio disc from young, gifted blues/rock axeslinger Lance Lopez of Dallas, Texas, features 12 killer trax (62 minutes) of outstanding, powerful, intense, bad-ass, funky, bluesy, retro-70's Hendrixy heavy guitar power trio rock of the highest order. O... |  Skin Deep It’s erroneous to characterize this 2008 Buddy Guy release, his first in three years, as a comeback, since he’s never been gone. But between a spotlight stealing performance in Martin Scorsese’s Rolling Stones concert flick Shine a Light in the same year an... |